Throwing Lighting with Revolog Tesla 2

I love what I have to share with you today because not only are these pictures from Key West, but they’re on Revolog’s Tesla 2 film. I love Revolog’s films because they add another layer of unpredictability to my photos, creating a little surprise in each frame. This was my first time using Tesla 2 and it’s my new favorite Revolog film, for sure.

With Tesla 2, reddish lighting bolts appear in random places within your picture, kind of like this.

How fun is that? You can channel your inner wizard/mad scientist, like my brother did in this picture.

I used my Lomography La Sardina for this roll, which in retrospect may not have been the best camera for the job. The focus is SO touchy! If you’re not in exactly the right place, your pictures will be fuzzy, and not in a good way. I brought this camera because of the bulb setting and ability to make multiple exposures but I think my Vivitar UWS would have been a better choice. With it’s fixed focus, I wouldn’t have had the problems I did with the La Sardina.

I’m not sure what the trick to getting bright lighting bolts to appear is, but I’m willing to spend more money and play around with the Tesla 2 to figure it out. Here’s what the film looks like when the picture is black. I’m unsure of what happened to this frame. Possibly, the shutter was tripped accidentally in my bag?

I love it!! Freaky cool, isn’t it?

It seems to me the more underexposed the picture is, the better the lightning shows up. More lighting also shows up in the darker places of each photo.

In these pictures, which are exposed properly or don’t have many dark places, it’s tougher to see the lightning.

These two pictures were long exposures. Much like the properly exposed film, the lighting effects are more subtle.

Because Hannah and Michael, the creators of Revolog film, produce each roll by hand, the effects are totally random, so there’s no full-proof way of framing your shot to maximize each film’s characteristic. To me, that’s the fun part of it all.

Once again, Revolog has wowed me. I love the subtle effects of Tesla 2. Because I was taking pictures of an already beautiful place, the lightning didn’t detract from my subjects. Instead, my pictures received a little injection of humor and surprise. I only wish it came in frames with 36 rolls instead of just 12 :)


Key West iPhoneography

I haven’t posted in a couple of weeks because I’ve been gearing up for my brother’s wedding in Key West, which took place a week ago today. What a fantastic place! My husband Jake and I were last there in 1997 and it really hasn’t changed a whole lot. I took a bunch of film with me, including some Revolog and Velvia. I used my Holga during the wedding, loaded with black and white film, so that I could capture the little moments that the professional photographer may have missed. Don’t get me wrong, his work is beautiful, but when you look through the lens of a toy camera you see things a little differently.

As soon as we landed at the airport, the snapping commenced. These are Hipstamatic with Susie Lens and Cano Cafenol film.

Roosters, chickens and cats rule the island. It’s amazing that they all co-exist peacefully, but then again, it is Key West.

John S Lens, Pistil Film

Loftus Lens, Ina’s 1969 Film

Key West doesn’t take itself too seriously, as evidenced by these funny and artful signs.

John S Lens, Pistil Film

Tejas Lens, Ina’s 1969 film

Americana Lens, Ina’s 1969 Film

Loftus Lens, Ina’s 1969 FIlm

John S Lens, Pistil Film

Loftus Lens, Ina’s 1969 Film

 The Menu @ Pepe’s…Free Pickles for Pregnant Women!     John S Lens, Pistil Film

Also @ Pepe’s…Steak Smothered in Pork Chops….what? Who does that?

James M Lens, Ina’s 1969 Film

We were there, of course, to celebrate my brother’s wedding to his high school sweetheart, April. Here are a few people shots of the wedding and afterwards.

Tejas Lens, Ina’s 1969 Film…….First Dance

Tejas Lens, Ina’s 1969 Film…..April and her Dad, who is talking to April’s daughter. You can see her eyes peeking out behind April’s shoulder

Tejas Lens, Ina’s 1969 Film……Singing with the band, Sweet Leda

One of my favorite shots of the night on Duval Street

Julie getting ready for an acoustic set….John S Lens, Alfred Infrared Film

There was a lot of beauty to behold in Key West, along with the weirdness…..and lots of stray shopping carts.

John S Lens, Alfred Infrared Film

John S Lens, Alfred Infrared Film

John S Lens, Pistil Film….This was in someone’s backyard

Susie Lens, Ina’s 1969 Film

 Susie Lens and Cano Cafenol film

John S Lens, Pistil Film

I had such a blast with friends old and new. If you ever get the chance to take a trip to Key West, run, don’t walk to the plane. I’m hoping 15 more years won’t pass by before my next trip.


Macro Yashica

Here are the results of my Yashica macro experimentation. Most of these are a little underexposed because I forgot that you need more light when using the diopter. I was also using 100 speed Fuji Velvia, not the best in terms of film speed, but you can’t beat the wacked-out colors.

I took a stroll in my yard to capture these images. I held a +10 diopter in front of the top lens when composing the shot, then moved it to the lower lens to take the picture. Shutter speed was at 125 and the light was bright and beautiful.

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The picture of my daughter Zoe is a double. I tried to capture a macro shot of some pink flowers as one of the layers of that shot, but it just ended up overexposed. Oh well. It’s still a great shot of my girl.

I really love the third shot of the pink tulip. The light was really nice and the composition was good, too. It’s a kind of crap-shoot when you use this technique, especially when the wind kicks up and starts blowing everything around. Once the lens is moved from the top to the bottom, there’s no way of knowing what the shot will look like. I just hold my breath, press the button and hope for the best.

While not a particularly inspiring shot, the next picture of little pink flowers on a tree branch is nice for the little pentagons of light that appear in the middle left and bottom right areas of the frame. My favorite is probably the last one, the dandelion. Other than being a little dark, it’s just what I hoped it would be!

Has anyone else used a similar technique? Any recommendations for Yashica filters? I’m going to try some color IR film soon and need to figure out a way to affix a filter to the lenses. I’m thinking that holding the filter in front of the lens may be the easiest way, but any suggestions would be appreciated.


Ilford’s 3200 speed B&W film + Fuji Natura Classica = magic!

Yes, it’s another Fuji Natura Classica post, but this one is a little different. Here are the results from the 3200 iso Ilford film, which a friend of mine told me really acts more like 1600 iso film. This is the first time I’ve used this film (I never really had a reason to use it before) and I’m very pleased with the results. Overall, the high-speed black and white film photos are much nicer than the color photos I took using 1600 iso film.

For one thing, the contrast is phenomenal.

This tree picture looks almost like an HD digital picture! I also love the way the pine needles were captured on the floor of the woods.

The weather was overcast on the day I took these shots, but it wasn’t much of a challenge for this film and camera combo.

I also took some photos at the beach at dusk.

See the lights in the background?

 The following pictures were taken at a restaurant. I wanted to see just how low I could go with the lighting.

 

Finally, I took some pictures of my favorite, rusty road sign.

 The Natura Classica plus Ilford 3200 iso film is a winning combination! I usually develop my own black and white film, but I sent this roll out to be developed by someone (or something) that can load the film onto a spool without screwing it up. I still haven’t quite mastered that skill, but because I plan on buying many more rolls of this film, I guess I’ll get more opportunities to practice.


Yay for the Yashica!!

I am solidly in love with my new Yashica 635. This TLR beauty, made in 1958, is actually a dual-format camera TLR. A film adapter kit was made to work with these cameras so you could use 35mm film in addition to 120 medium format film. Mine didn’t come with one, but that’s quite alright with me.

I’ve been wanting one of these cameras for a very long time and it was worth the wait. For my first roll, I took it on a walk in the woods on a foggy day. I got some nice, moody shots that were taken on Ilford XP-2 iso 400…it’s a C-41 processed B & W film.

Looking through the viewfinder was a little challenging. The image was pretty dark (that may have been the product of the diffused lighting that day) but otherwise, I have no complaints. I’m going to try some macro shots of tulips and flowers today using my diopters.

I would HIGHLY recommend this camera for your vintage collection! If you can get your hands on one, it’s worth the money.


Two New Cameras plus Works of Art Through the Eyes of the iPhone

My parents, who so generously got me the Yashica 635, arrived at my house last week with two more vintage beauties for me. This Konica C35 was purchased at the same time as my Yashica.

I know next to nothing about this camera but am excited to play around with it. The other camera came from my Mom’s cedar chest. It was her camera back in the day….a Polaroid Land Camera Automatic 103

This one I am familiar with. It’s the relative of another Polaroid Land Camera that I own, the 220, and just like my 220 (which I affectionately refer to as Aunt Bertha’s camera because it came with EVERYTHING in the case, including a little lace hankie, and smelled like the top of a moth-ball-filled closet), it included the case, manual and a flash unit. Once I get a battery for it I’m going to give it a try. I’m hoping the roller functions better than the 220 so I don’t get gluey rollers half way through my film pack. What a pain it is to clean.

I’m still waiting for my first Yashica roll to come back from the developers. I took it out last week on a foggy morning as we took the kids and dog for a walk in the woods. I’m hoping for some moody, misty shots. Until then, I will share some iPhone photos I took while at the Philadelphia Museum of Art.

Curators are masters of using light to highlight the best parts of an exhibit. Whether the lighting is very low, casting gorgeous shadows on the walls, or warm and inviting, everything is beautiful and begging to be captured by an intrepid photographer.  Whenever I visit a museum I treat it as a workshop in lighting. I push myself and try new techniques to see how my camera best responds. This first shot was taken through my Holga Lens Turret’s blue filter.

This last shot was in the cafeteria. I used the Salvadore 84 lens on all the pictures that look doubly exposed.

Museums are also great places to test out your camera’s macro abilities. The iPhone is phenomenal at close up shots and even better with the Holga Lens Turret’s macro lens.

The rest of these pictures are taken without the macro lens.


Celebrating all day today….St. Patrick’s Day

I love St. Patrick’s Day. It’s the only day of the year devoted almost entirely to drinking. I’m not a lush, but I do love good beer and today, everyone else pretends they like it, too. It’s like National Beer Day. Another reason I’m celebrating today is that my parents are visiting and they’re bringing me the spoils from a few flea market trips. They wintered in Ft. Meyers, FL and are bringing me a Yashica 635 and Konica 35mm SLR. I’m SO excited to try the Yashica and will probably load it up with film and take pictures of the daffodils, clover and weeds that are now populating my front yard. Here are some joyous, celebratory pictures that I took in January with my Fuji Natura Classica. One of my BFF’s, Loretta, and her husband Brad watched an important American Football playoff game at our house and our team won! Also on that roll of Fuji 800 speed film were pictures taken on a recent trip to Washington DC. We visited the International Spy Museum and ate in Chinatown. There was a sign stating “No Photography Allowed” at the entrance of the museum, but since it was one of the first times I had my Natura Classica with me, I decided to flaunt their rules. I didn’t get busted….hehehehe.

They’re not the best pictures (clearly, I need more practice taking pictures covertly) but I had fun doing it. Here’s some better shots of Chinatown.

We didn’t eat at this place, but with a name like New Big Wong, we might have try it

This is where we ate. You could watch them make noodles amongst the duck carcasses. Pretty cool.

More DC, but not in Chinatown

This would’ve been a great shot if it hadn’t been for that pesky camera strap.

Tonight we’ll be going out to celebrate and hear some great local music. I’ll be documenting it all on my iPhone and I hope to have pictures that I can share with you next week. I’m hoping not to drop my iPhone in beer tonight. Wish me luck with that!

Happy St. Patrick’s Day, or should I say, National Beer Day!


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