Tag Archives: TLR

Macro Yashica

Here are the results of my Yashica macro experimentation. Most of these are a little underexposed because I forgot that you need more light when using the diopter. I was also using 100 speed Fuji Velvia, not the best in terms of film speed, but you can’t beat the wacked-out colors.

I took a stroll in my yard to capture these images. I held a +10 diopter in front of the top lens when composing the shot, then moved it to the lower lens to take the picture. Shutter speed was at 125 and the light was bright and beautiful.

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The picture of my daughter Zoe is a double. I tried to capture a macro shot of some pink flowers as one of the layers of that shot, but it just ended up overexposed. Oh well. It’s still a great shot of my girl.

I really love the third shot of the pink tulip. The light was really nice and the composition was good, too. It’s a kind of crap-shoot when you use this technique, especially when the wind kicks up and starts blowing everything around. Once the lens is moved from the top to the bottom, there’s no way of knowing what the shot will look like. I just hold my breath, press the button and hope for the best.

While not a particularly inspiring shot, the next picture of little pink flowers on a tree branch is nice for the little pentagons of light that appear in the middle left and bottom right areas of the frame. My favorite is probably the last one, the dandelion. Other than being a little dark, it’s just what I hoped it would be!

Has anyone else used a similar technique? Any recommendations for Yashica filters? I’m going to try some color IR film soon and need to figure out a way to affix a filter to the lenses. I’m thinking that holding the filter in front of the lens may be the easiest way, but any suggestions would be appreciated.


Yay for the Yashica!!

I am solidly in love with my new Yashica 635. This TLR beauty, made in 1958, is actually a dual-format camera TLR. A film adapter kit was made to work with these cameras so you could use 35mm film in addition to 120 medium format film. Mine didn’t come with one, but that’s quite alright with me.

I’ve been wanting one of these cameras for a very long time and it was worth the wait. For my first roll, I took it on a walk in the woods on a foggy day. I got some nice, moody shots that were taken on Ilford XP-2 iso 400…it’s a C-41 processed B & W film.

Looking through the viewfinder was a little challenging. The image was pretty dark (that may have been the product of the diffused lighting that day) but otherwise, I have no complaints. I’m going to try some macro shots of tulips and flowers today using my diopters.

I would HIGHLY recommend this camera for your vintage collection! If you can get your hands on one, it’s worth the money.


Lubitel: Persnickity and full of Personality

Them: “Wow, that must be a really old camera”

Me: “Well, it was made in 1986″

Them: “Does it work?”
Me: “Yes it does and it takes great pictures”

This is how many conversations begin when I’m using my Lubitel and it’s at this point that I can educate the curious masses about lomography and lo-fi photography. At first I fell in love with the Lubitel’s looks too, but if beauty is more than skin deep than this little camera is beautiful to the core.

After diving into lomography with a Holga I wanted my next camera to come with a few more bells and whistles and a little more reliability. It would also have to look as good as it performed and be relatively inexpensive. TLR cameras are endlessly fascinating to me with their alien good looks. The vertical lenses are so very flounder-like on the front of it’s boxy frame. I found a Lubitel in need of a home on eBay and after an agonizing month-long wait, it arrived at my house.

My Lubitel had been sitting virtually untouched at the top of someone’s closet since it’s production, a fact that was reinforced upon opening the box covered in cyrillic writing. It smelled of communism and sensibility. It’s construction and heft told me I had a real workhorse on my hands. The Lubitel is all these things plus, like other lomocams, it has it’s own personality.

Persnickity at times and stubborn at others, the Lubitel always delivers a phenomenal picture as long as you treat it right. In getting to know my camera I’ve realized one needs plenty of time. It takes awhile to figure out all those switches and knobs as the Lubitel is a bit more complicated than your typical analogue instrument. It also takes awhile to properly take a great picture. You must set up your shot and focus then check to make sure all settings are correct. Cock the shutter, then hold your breath and trip the switch for a medium format work of art. I find that using my Lubitel is rather Zen-like at times. It’s as if I have to be ‘in the zone’ to make all the elements of my picture align.

If you treat your Lubitel right it will be a wonderful machine for many years. I’ve found that, just like you, the Lubitel needs a little tune-up occasionally. When those gears mesh together you get great results but when they’re out of whack the Luby develops a thousand-yard-stare type of focus that’s only good for taking far away landscape shots. I just tuned up my Lubitel recently and have achieved some great results in my last few shoots. I’ve even gotten some consistently great macro shots lately.

I love taking my Lubitel out for a spin. It’s a real conversation starter so I have to make sure to be in a sociable mood when using it because inevitably someone wants to know, “Does that camera really work?”

Here are some of my crazy macro shots, all cross-processed Fuji film.


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